Three Corten steel sculptures
2.5 x 1.5 x 1.5 m each
The three sculptures of Natureza como Matéria grow out of an inquiry that has run through Carlos Vergara's career for decades: the observation of natural processes as agents that give things new meaning. Made of Corten steel, a material whose oxidation continually changes its surface, the works reject the idea of a fixed or finished form. Like living organisms, they are in constant mutation, recording the passage of time in their very substance. The sculptures establish a direct relationship with the botanical park and with the history of the place. Their organic forms, reminiscent of leaves, shadows, or plant structures, seem to emerge from the earth itself, blending steel with the vitality of nature.
Carlos Vergara
Santa Maria, Rio Grande do Sul, Brazil, 1941
Lives and works in Rio de Janeiro
At Usina de Arte: Natureza como Matéria (2013)
One of the central names in Brazilian contemporary art since the 1960s, the artist from Rio Grande do Sul grounds his practice in the dialogue between art and territory. His work spans painting, photography, installation and sculpture, attentive to the marks of time and to the ways we perceive space. He is recognised as one of the leading figures of the Nova Figuração (New Figuration) movement in Brazil.
