Rizza

Formed by three large metal rings intertwined in a spiral, the installation seems to draw luminous trajectories in space that are constantly reconfigured. The choice of aluminum gives lightness to the structure, which responds subtly to the wind and to the presence of the public. The gold color, in turn, recalls medieval representations of the divine and the incomprehensible, linking science, spirituality, and sensory experience. In Fóton, sculpture ceases to be a static object and becomes a field of visual, physical, and perceptual forces. In its denser areas and its voids, between overlapping beams and moving curves, the work changes with the viewer's movement and the angle of the light, activating a relationship between form, environment, and gaze.