Digital print on glass and metal structure
2.5 x 9.6 x 8.4 m
A labyrinth of transparent glass offers an unsettling experience. Distributed across the panels, images of bullet holes are reproduced through digital processes, creating the impression of shots passing through the space. Always placed at the same height, the impacts seem aimed at the body of the visitor, who moves through the installation among transparencies, reflections, and signs of an invisible threat. What appears from a distance to be a serene landscape turns out, up close, to be permeated by everyday violence.
Regina Silveira
Porto Alegre, Rio Grande do Sul, 1939
Lives and works in São Paulo
At Usina de Arte: Paisagem (2021)
A reference in Brazilian contemporary art, she works in São Paulo. Trained as a painter and printmaker, she was born in Porto Alegre and devotes her work to reflecting on visual representation, the politics of images, and the ways in which drawing, photography, video and digital media alter our perception of the environment.
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