{"id":8111,"date":"2026-09-28T11:55:16","date_gmt":"2026-09-28T11:55:16","guid":{"rendered":"https:\/\/usinadearte.org\/alfredo-jaar\/"},"modified":"2026-10-12T10:30:51","modified_gmt":"2026-10-12T10:30:51","slug":"alfredo-jaar","status":"publish","type":"post","link":"https:\/\/usinadearte.org\/en\/alfredo-jaar\/","title":{"rendered":"Alfredo Jaar"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"8111\" class=\"elementor elementor-8111 elementor-3743\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4c6a336 e-con-full animated-slow e-flex elementor-invisible e-con e-parent\" data-id=\"4c6a336\" data-element_type=\"container\" data-e-type=\"container\" 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aria-roledescription=\"slide\"><div class=\"swiper-slide-bg\" role=\"img\" aria-label=\"arte_jaar_obra_08_ARB2023-mobile\"><\/div><div class=\"swiper-slide-inner\" ><div class=\"swiper-slide-contents\"><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-pagination\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-18ba2b7 e-con e-atomic-element e-flexbox-base e-default-div e-18ba2b7-022b5be \" data-id=\"18ba2b7\" data-element_type=\"e-flexbox\" data-e-type=\"e-flexbox\" data-interaction-id=\"18ba2b7\" data-e-type=\"e-flexbox\" data-id=\"18ba2b7\">\n    <div class=\"elementor-element elementor-element-d442472 e-con e-atomic-element e-flexbox-base e-default-div e-d442472-5745699 \" data-id=\"d442472\" data-element_type=\"e-flexbox\" data-e-type=\"e-flexbox\" data-interaction-id=\"d442472\" data-e-type=\"e-flexbox\" data-id=\"d442472\">\n    \t\t\t\n<hr class=\"e-e23d7f1-3760a13 e-divider-base\" data-interaction-id=\"e23d7f1\" data-e-type=\"widget\" data-id=\"e23d7f1\" \/>\n\t\t\t\t\t<h2 data-interaction-id=\"1a1eae4\" class=\"e-1a1eae4-6d019d2 e-heading-base e-default-h2\" data-e-type=\"widget\" data-id=\"1a1eae4\">Claro-escuro (chiaroscuro), <br \/>2015-2023<\/h2>\n\t\t\t\t\t<p class=\"e-bc90559-6a962e5 e-paragraph-base e-default-p\" data-interaction-id=\"bc90559\" data-e-type=\"widget\" data-id=\"bc90559\">Green neon text <br \/>0.8 x 18 m<\/p>\n\t\t\n<\/div>\n<div class=\"elementor-element elementor-element-93a1485 e-con e-atomic-element e-flexbox-base e-default-div e-93a1485-a332e03 \" data-id=\"93a1485\" data-element_type=\"e-flexbox\" data-e-type=\"e-flexbox\" data-interaction-id=\"93a1485\" data-e-type=\"e-flexbox\" data-id=\"93a1485\">\n    \t\t\t<p class=\"e-b52525e-487a50c e-paragraph-base e-default-p\" data-interaction-id=\"b52525e\" data-e-type=\"widget\" data-id=\"b52525e\">Installed on top of the former distillery of Usina Santa Terezinha, the work reproduces a sentence written by the Italian philosopher Antonio Gramsci while he was imprisoned under Benito Mussolini's fascist regime: \u201cThe old world is dying. The new world is slow to be born. In this chiaroscuro, monsters emerge.\u201d By turning a political reflection into an 18-meter illuminated sign, Alfredo Jaar transforms word, light, and architecture into a commentary on times of crisis and transition. At Usina de Arte, the work takes on a particular dimension by occupying a structure tied to the history of the sugar economy of Pernambuco's Zona da Mata. Between the industrial memory of the past and the uncertainties of the future, Jaar's neon acts as a permanent warning about the struggles that mark every change of era.<\/p>\n\t\t\n<\/div>\n\n<\/div>\n<div class=\"elementor-element elementor-element-2dc8f83 e-con e-atomic-element e-flexbox-base e-default-div e-2dc8f83-0c1db91 \" data-id=\"2dc8f83\" data-element_type=\"e-flexbox\" data-e-type=\"e-flexbox\" data-interaction-id=\"2dc8f83\" data-e-type=\"e-flexbox\" data-id=\"2dc8f83\">\n    <div class=\"elementor-element elementor-element-db115ef e-con e-atomic-element e-flexbox-base e-default-div e-db115ef-9ec32c9 \" data-id=\"db115ef\" data-element_type=\"e-flexbox\" data-e-type=\"e-flexbox\" data-interaction-id=\"db115ef\" data-e-type=\"e-flexbox\" data-id=\"db115ef\">\n    \t\t\t<h2 data-interaction-id=\"f1662d2\" class=\"e-f1662d2-15bd03e e-heading-base e-default-h2\" data-e-type=\"widget\" data-id=\"f1662d2\">Biography<\/h2>\n\t\t\t\t\t\n<hr class=\"e-ab5b0a7-9097a20 e-divider-base\" data-interaction-id=\"ab5b0a7\" data-e-type=\"widget\" data-id=\"ab5b0a7\" \/>\n\t\t\t\t\t<p class=\"e-672e92c-9dcd585 e-paragraph-base e-default-p\" data-interaction-id=\"672e92c\" data-e-type=\"widget\" data-id=\"672e92c\">Alfredo Jaar<br \/>Santiago, Chile, 1956<br \/>Lives and works in New York, USA<br \/>At Usina de Arte: Claro-Escuro (2015-2023)<\/p>\n\t\t\t\t\t<p class=\"e-6ebbb17-04aaaf9 e-paragraph-base e-default-p\" data-interaction-id=\"6ebbb17\" data-e-type=\"widget\" data-id=\"6ebbb17\">Artist, photographer, architect and filmmaker born in Santiago, Chile, and based in New York. Widely exhibited internationally, his work investigates power, violence, inequality and silencing, revealing what remains hidden in authoritarian contexts and in political, social and cultural disputes.<\/p>\n\t\t\t\t<div class=\"elementor-element elementor-element-a2f63b7 elementor-shape-circle e-grid-align-left elementor-grid-0 elementor-widget elementor-widget-social-icons\" data-id=\"a2f63b7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"social-icons.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-social-icons-wrapper elementor-grid\">\n\t\t\t\t\t\t\t<span class=\"elementor-grid-item\">\n\t\t\t\t\t<a class=\"elementor-icon elementor-social-icon elementor-social-icon-link elementor-repeater-item-dfc74f2\" href=\"https:\/\/alfredojaar.net\" target=\"_blank\">\n\t\t\t\t\t\t<span class=\"elementor-screen-only\">Link<\/span>\n\t\t\t\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-link\" viewBox=\"0 0 512 512\" 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